Exhibitions
On a recent visit to Rome I sought in vain to establish JM Turner’s vantage point for his rendition of ‘Modern Rome – Campo Vaccino’ only to realise that he had used considerable artist’s licence to create his composition. This is my version.
One of a series, informed by vibrating colour relationships formal balancing. The tension between colours and shapes offers to the viewer both an immediate spontaneous response and considered intellectual reflection.
In this painting, I was exploring the idea of finding the revelation of someone’s character through their clothing. Therefore I see this painting as a sort of portrait, encouraging the viewer to imagine and create a story of the wearer of the shoes.
Watercolour painted at Aberdeen Beach, capturing movement and atmosphere of the North East Coastline.
Abstract Oil Painting, with vibrating colour relationships and formal balancing. The tension between colours and shapes offers to the viewer both an immediate spontaneous response and considered intellectual reflection.
A seascape in oils featuring two figures gazing towards the islands of Eigg and Rum, seen on the horizon.
A view of the Grand Canal in Venice featuring small craft and gondolas. The Church of Santa Maria della Salute can be seen in the distance.
Derives from a photo that I took of Deptford power station on a visit to London in the late 1960s.
Mounted and glazed with a light oak frame, this was painted from the banks of the Clyde across the water from where the construction of HMS Duncan was being completed
- « Previous
- 1
- …
- 132
- 133
- 134